The new film by Academy Award-winning director Robert Zemeckis, The Walk – 3D, will be presented at the 10th Rome Film Fest (October 16-24, 2015), directed by Antonio Monda and produced by the Fondazione Cinema per Roma, chaired by Piera Detassis.
The brilliant co-creator and director of the “Back to the Future” trilogy, Forrest Gump, Who Framed Roger Rabbit, Contact, and Cast Away, brings to the screen the true story of Philippe Petit, a French tight wire walker who amazed the city of New York by walking across a steel cable strung between the two towers of the World Trade Center. As in his previous films, Zemeckis reconciles the classic forms of storytelling with a powerful use of avant-garde technology – in this case IMAX®3D – to create a movie that captures audiences with its spectacular storyline and imagery.
The star of the film, in the leading role of Petit, is Joseph Gordon-Levitt, one of the finest actors of his generation, equally at ease in major productions (Inception and The Dark Knight Rises by Christopher Nolan, Lincoln by Steven Spielberg) and independent productions (Brick and The Lookout). Co-starring, Academy award-winner Sir Ben Kingsley (Gandhi, Schindler’s List, Shutter Island, and Hugo Cabret), Charlotte Le Bon (Asterix & Obelix , Yves Saint Laurent), and James Badge Dale (“24”, “The Pacific”). The Walk – 3D is based on the book “To Reach the Clouds” by Philippe Petit, published by Faber and Faber.
“When I first heard this story, I thought, ‘My God, this is a movie that A: should be made under any circumstance, and B: should be absolutely presented in 3D,” explains Zemeckis. “When you watch a wire walker, you always have to watch by looking up at him. You never get the perspective of what’s it like to be on the wire. Our film will follow Petit’s story but will ultimately put you on the wire, walking with Philippe, and by presenting it in 3D, it is going to be spectacular and very emotional. I love the idea of a guy – a performance artist – who pulls off this great caper. The caper is illegal, it’s dangerous, but it doesn’t hurt anybody. It seemed like something out of another time – you don’t really see stuff like that anymore. It was almost like a fable.”
Rome Film Fest Artistic Director, Antonio Monda, declared: “Yet another magnificent film by a great director who can truly be an auteur while making incredibly spectacular films. Zemeckis’ cinema is, happily, both art and industry.”